![]() bands and the Grateful Dead – well, that shows how little you know about Phish.īolstered by a two-man horn section and a percussionist on loan from Santana, Phish shook the almighty voodoo right out of Remain in Light,setting up a densely textured hailstorm of crosscutting rhythms. For those who consider that an off-the-wall choice from a group routinely lumped with H.O.R.D.E. This time, Phish made the pick themselves, opting for Talking Heads’ Afro-beat classic Remain in Light. For the first two years, Phish let their fans choose the music, and the group obliged by mastering the Beatles’ White Album one year and the Who’s double-disc rock opera Quadrophenia the next. Sandwiched between two typically lengthy sets of original music –– including cuts from Phish’s seventh and latest release, Billy Breathes –– came the band’s third annual Halloween rite of performing another group’s album in its entirety. ![]() Without an opening act, Phish played for more than four hours to a sold-out, costumed crowd while hundreds of ticketless hopefuls paced the plaza outside. It isn’t surprising that Anastasio is running so high on nervous energy –– after all, every time he and his band mates plug in, their fans expect an oracle.īut if Phish-heads expect a lot, the band demands even more. For one thing, he’s wielding a 7-iron, swinging the club now and then as if he were lining up a tee shot. The nimble-fingered guitarist and bandleader is chatting amiably with well-wishers who file past to tell him what a great show it was. Slumped against a wall backstage at the Omni, an enormo-dome in downtown Atlanta where Phish have just played to 17,000 worshipful fans.
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